Deep in the woods, in Austria, is the Waldhaus hotel where Irene starts a job as a receptionist. She soon discovers that the girl she replaced, Eva, has disappeared. She finds Eva’s glasses in her room and after hers are broken she begins to wear them. Around her a number of unsettling events take place; on occasion it’s like when you see something out of the corner of your eye.
This film owes a lot to what has come before; there are references to Little Red Riding Hood and Alice in Wonderland. There are nods as well to Twin Peaks at times as well. It is a film that reveals clues and secrets that gradually fall into place throughout the piece. There are a number of symbols as well; doors, crosses, alarms and darkness.
There is as well a brooding malcontent in the hotel. No one seems to get along, which is evident right from the beginning. This may be due to the disappearance of Eva which would have left a pall over everyone. Poor Irene is parachuted into the middle of all of this and works hard to fit in. She tries this making friends and going to a club. This doesn’t save her from a general sense of isolation, in the hotel and in the woods.
I love the way this film slowly reveals what has happened and in a way what will happen as well. It is a story of great stillness, there is a lot said in looks and glances. It is an ambitious film in the way it deals with narrative, in that it doesn’t rely on dialogue to tell the majority of the story, it relies on the visuals. It also reminds you that if you go down to the woods today…
No comments:
Post a Comment